Name: Canon RF 24-70mm
Brand: Canon
SKU: 6368517f92fa5d74e033facc
Rating: 2.1 (6 reviews)

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Experience the possibilities with the RF 24-70mm F2.8 L is USM lens. Designed for the EOS R full-frame mirrorless camera system, This compact L-series lens combines a bright f/2.8 maximum aperture with a standard focal length zoom range, making it a versatile, all-purpose lens for all types of photography ventures. From portraits and landscapes, to travel and everyday moments, The RF 24-70mm F2.8 L is USM is engineered to cover a range of subjects extending from 0.69 ft./0.21M (wide) to 1.25 ft./0.38M (telephoto). enjoy enhanced video performance, especially when tracking moving subjects, thanks to Canon’s Nano USM technology for accurate and silent AF, and reduced focus breathing for more seamless focus transitions. Plus, you can ensure your images stay sharp and steady — Whether shooting handheld or in poorly-lit situations — with up to 5 stops* of shake correction. For an added layer of protection, The RF 24-70mm F2.8L is USM also features a dust- and weather-resistant construction with a fluorine coating, helping keep this powerful lens safeguarded wherever you go.

pcmag.com

Hyun Ralph Jeong

Dustin Abbott

Taylor Jackson

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Christopher Frost

 So that's a great value there But if you're a professional who knows that you need the 24-70mm f2.8 And if you're gonna be pairing this up with like 70-200mm then obviously you don't need the additional focal length So the choice is completely yours What is also interesting though is that even though this lens cost two and a half times more than the 24-105mm If you spend a little more money, like when I say a little more money, maybe about $700 You can also get the 28-70mm f2 lens So if you really need that fast zoom Then and if you don't mind the additional weight and size then that's also a great option as well The size and weight of this lens is about the same as the 15-35mm that I reviewed a couple of weeks ago And it's actually a little bit heavier at just over 900 grams. So it's about 60 or 70 grams heavier than the 15-35mm but when they were attached to my camera I couldn't really feel the difference and the design of the lenses are also about the same except that on the 24-70mm there's a zoom lock and Unlike on the 15-35mm, the lens extends to the longest point at its longest focal length It was the opposite on the 15-35mm. It rained pretty much the entire time I was in England so quite unintentionally It was a great time for me to test the weather sealing of this lens And I'm happy to say the lens performs perfectly well and based on my experience most lenses perform Okay in the rain, but when you walk in and out of buildings because of the humidity and the heat sometimes the insides of the lenses can get quite fogged up and sometimes you have to wait for hours or Sometimes a few days and for them to completely dry out, but that never happened with this lens So I was very happy with that overall just like the 15-35mm everything about the lens is great

 It was almost cheating. Normally for travel and street photography I prefer something a little smaller and lighter but at least with the lens like this you don't have to carry all that many other lenses with you in your bag and That's the trade-off for the size and weight of this lens and also in London There are lots of tourists with cameras So it's pretty easy to blend in with your camera as well If you do want something a little smaller and lighter, there's also the 24-105mm f4 And for most people who are not professional event photographers I would still recommend this lens over the 24-70mm because well The 24-70mm is about two and a half times more expensive than this and yes You get the slightly bigger aperture but with the 24-105mm you get the additional 35 millimeters of focal length and You're really not gonna see the whole lot of difference in image quality and with most modern full-frame cameras the ISO performance difference between f2.8 and f4 isn't gonna be that dramatic and of course if you're a Professional who shoots a lot in dark environments or at venues where you're not allowed to use flash Then you need all the help you can get and if you're a professional, you'd know what you need But for most people I think the 24-105mm will be just fine also when you're shooting portraits I think I prefer the images that I got from the 24-105mm at 105 millimeters at f4 over the images that I got with the 24-70mm at 70 millimeters at f2.8 because of the compression So if you're on a budget I think the 24-105mm will definitely get your money's worth and with the leftover money You can literally buy yourself an EOS RP and another lens

 So it's about 60 or 70 grams heavier than the 15-35mm but when they were attached to my camera I couldn't really feel the difference and the design of the lenses are also about the same except that on the 24-70mm there's a zoom lock and Unlike on the 15-35mm, the lens extends to the longest point at its longest focal length It was the opposite on the 15-35mm. It rained pretty much the entire time I was in England so quite unintentionally It was a great time for me to test the weather sealing of this lens And I'm happy to say the lens performs perfectly well and based on my experience most lenses perform Okay in the rain, but when you walk in and out of buildings because of the humidity and the heat sometimes the insides of the lenses can get quite fogged up and sometimes you have to wait for hours or Sometimes a few days and for them to completely dry out, but that never happened with this lens So I was very happy with that overall just like the 15-35mm everything about the lens is great. It's sharp It's autofocus works Well, the stabilization is great, but pretty much the only downsides are the price size and weight the size and weight I think you can learn to live with it but the price only you can answer if it's worth it for your needs because Everyone's needs and budgets are different with most RF mount lenses right now I think the autofocus capabilities are more bottlenecked by the cameras than the lenses themselves So with every firmware updates and as Canon comes out with more RF mount cameras I think things will only get better. While shooting on the streets autofocus and tracking can be more unpredictable than shooting in a controlled environment But the camera and the lens always performed as expected and never gave me any issues some of you also asked me if you should get the 24-70mm or the 15-35mm and I think they're just two different lenses and it's really up to the way you shoot and what you shoot

Canon RF 24-70mm f2.8 L IS USM Lens Review

 Today we're gonna take a look at the Canon RF 24-70mm f2.8 LIS USM lens and the 24-70mm

 Of course is the staple of events and travel photographers

 And I just came back from my long vacation to England with this lens and I had a lot of fun with it

 And if you follow me on Instagram, you can see all my photos from my trip and London especially was really fun

 I feel like London is one of the best places in the world for street photography and

 Anywhere you looked anywhere you went there was always something interesting and with this lens

 It felt like it was so easy. It was almost cheating. Normally for travel and street photography

 I prefer something a little smaller and lighter

 but at least with the lens like this you don't have to carry all that many other lenses with you in your bag and

 That's the trade-off for the size and weight of this lens and also in London

 So it's pretty easy to blend in with your camera as well

 If you do want something a little smaller and lighter, there's also the 24-105mm f4

 And for most people who are not professional event photographers

 I would still recommend this lens over the 24-70mm because well

 The 24-70mm is about two and a half times more expensive than this and yes

 but with the 24-105mm you get the additional 35 millimeters of focal length and

 You're really not gonna see the whole lot of difference in image quality and with most modern full-frame cameras

 f2.8 and f4 isn't gonna be that dramatic

 Professional who shoots a lot in dark environments or at venues where you're not allowed to use flash

 Then you need all the help you can get and if you're a professional, you'd know what you need

 But for most people I think the 24-105mm will be just fine

 I think I prefer the images that I got from the 24-105mm at

 105 millimeters at f4 over the images that I got with the 24-70mm at 70 millimeters at

 I think the 24-105mm will definitely get your money's worth and with the leftover money

 You can literally buy yourself an EOS RP and another lens. So that's a great value there

 But if you're a professional who knows that you need the 24-70mm f2.8

 And if you're gonna be pairing this up with like 70-200mm then obviously you don't need the additional focal length

 What is also interesting though is that even though this lens cost two and a half times more than the 24-105mm

 If you spend a little more money, like when I say a little more money, maybe about $700

 Then and if you don't mind the additional weight and size then that's also a great option as well

 The size and weight of this lens is about the same as the 15-35mm that I reviewed a couple of weeks ago

 And it's actually a little bit heavier at just over 900 grams. So it's about

 60 or 70 grams heavier than the 15-35mm but when they were attached to my camera

 I couldn't really feel the difference and the design of the lenses are also about the same

 except that on the 24-70mm there's a zoom lock and

 Unlike on the 15-35mm, the lens extends to the longest point at its longest focal length

 It was the opposite on the 15-35mm. It rained pretty much the entire time

 I was in England so quite unintentionally

 It was a great time for me to test the weather sealing of this lens

 And I'm happy to say the lens performs perfectly well and based on my experience most lenses perform

 Okay in the rain, but when you walk in and out of buildings because of the humidity and the heat

 sometimes the insides of the lenses can get quite fogged up and sometimes you have to wait for hours or

 Sometimes a few days and for them to completely dry out, but that never happened with this lens

 So I was very happy with that overall just like the 15-35mm everything about the lens is great. It's sharp

 Well, the stabilization is great, but pretty much the only downsides are the price size and weight the size and weight

 but the price only you can answer if it's worth it for your needs because

 Everyone's needs and budgets are different with most RF mount lenses right now

 I think the autofocus capabilities are more bottlenecked by the cameras than the lenses themselves

 So with every firmware updates and as Canon comes out with more RF mount cameras

 I think things will only get better. While shooting on the streets autofocus and tracking can be more unpredictable than shooting in a controlled environment

 But the camera and the lens always performed as expected and never gave me any issues

 some of you also asked me if you should get the

 24-70mm or the 15-35mm and I think they're just two different lenses and it's really up to the way you shoot and what you

 shoot. The wider focal length of the 15-35mm can be really fun to use if you shoot a lot of

Canon RF 24-70mm

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