Name: Sabian HHX Complex
Brand: Sabian
SKU: 637f392d6a545ccc86a7b52d
Rating: 3.7 (23 reviews)

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Sabian HHX Complex Promotional Cymbal Set with Free 18" Thin Crash (15005XCNP)

Drummer's Review

Drum Center of Portsmouth

Cole Paramore

Jake Ryan

r/drums

 Now of course there are many exceptions to this, there are plenty of beautiful, amazing sounding Zildjian and Sabian cymbals, and a lot of my favorite artists play Zildjian and Sabian, so I don't inherently have a problem with either of their sonic signatures or the companies themselves, they just haven't really meshed with what I'm looking for. And I feel like recently both companies, I guess in the past few years, have come out with lines that sound maybe not more vinyl-ish to my ears, but they just seem to de-emphasize the things that I haven't liked about their cymbals in the past, and what I'm talking about is like AA's and even HH's and Zildjian A's, and to a lesser extent A Customs, have all sounded sort of harsh in the mid-range or in the upper mids, and what I like a lot about these HHX complexes is that they seem to not be harsh at all, they really de-emphasize that mid-range that just comes across as abrasive to my ears, and they're still very dark with a really smooth top end, and what surprised me was that because they're called complex, usually complex or anything that's described as like esoteric or anything like that, usually means that it's going to end up sounding trashy, whether that's for better or for worse is up to you. These are not at all that, these are very smooth sounding, very like traditional sounding, but without all that harsh mid-range and with a really, really smooth top end, that's what I'm hearing at least. And they really do sound like do-anything cymbals, like you could pretty much tackle any genre with these, whereas the cymbals that I typically use are maybe a little less flexible, I go for maybe more particular sounds, but what I decided to do today is take my I guess most normal sounding setup of Minols, which is still a little bit weird

 Alright, so I know I pulled you in with a bit of a spicy title, but I just want to say right off the bat that I'm not trying to make anyone mad and that I love all cymbals from all cymbal companies, but the setup today is that I was demoing these Sabin HHX Complex cymbals for West Coast Drum Shop next door, and I was thinking to myself as I was playing them, these are probably the best sounding Sabians, or at least my favorite Sabians that I've heard in a long, long time, and just to my ears for my personal preference, although I love Sabin the company and I know they make amazing cymbals, their sonic signature has been my least favorite, just for what I'm looking for personally, until I started listening to these, so I thought it might be kind of interesting to pit these against what I normally use, which is typically vinyl, and just give sort of some thoughts and I guess a mini review on the HHX Complex line in general. Now there are plenty of vinyl cymbals that I don't like the sound of, but on average, vinyl I think has the most cymbals that sound pleasing and interesting to my ear, and on the flip side, Sabian in the past, and to a lesser extent, Zildjian has had less interesting or sounds that just don't jive as well with what I'm looking for. Now of course there are many exceptions to this, there are plenty of beautiful, amazing sounding Zildjian and Sabian cymbals, and a lot of my favorite artists play Zildjian and Sabian, so I don't inherently have a problem with either of their sonic signatures or the companies themselves, they just haven't really meshed with what I'm looking for. And I feel like recently both companies, I guess in the past few years, have come out with lines that sound maybe not more vinyl-ish to my ears, but they just seem to de-emphasize the things that I haven't liked about their cymbals in the past, and what I'm talking about is like AA's and even HH's and Zildjian A's, and to a lesser extent A Customs, have all sounded sort of harsh in the mid-range or in the upper mids, and what I like a lot about these HHX complexes is that they seem to not be harsh at all, they really de-emphasize that mid-range that just comes across as abrasive to my ears, and they're still very dark with a really smooth top end, and what surprised me was that because they're called complex, usually complex or anything that's described as like esoteric or anything like that, usually means that it's going to end up sounding trashy, whether that's for better or for worse is up to you

I Don't Like Sabian (But These Sound Great) // Sabian HHX Complex Review

 Alright, so I know I pulled you in with a bit of a spicy title, but I just want to say

 right off the bat that I'm not trying to make anyone mad and that I love all cymbals from

 all cymbal companies, but the setup today is that I was demoing these Sabin HHX Complex

 cymbals for West Coast Drum Shop next door, and I was thinking to myself as I was playing

 them, these are probably the best sounding Sabians, or at least my favorite Sabians that

 I've heard in a long, long time, and just to my ears for my personal preference, although

 I love Sabin the company and I know they make amazing cymbals, their sonic signature has

 been my least favorite, just for what I'm looking for personally, until I started listening

 to these, so I thought it might be kind of interesting to pit these against what I normally

 use, which is typically vinyl, and just give sort of some thoughts and I guess a mini review

 Now there are plenty of vinyl cymbals that I don't like the sound of, but on average,

 vinyl I think has the most cymbals that sound pleasing and interesting to my ear, and on

 the flip side, Sabian in the past, and to a lesser extent, Zildjian has had less interesting

 or sounds that just don't jive as well with what I'm looking for.

 Now of course there are many exceptions to this, there are plenty of beautiful, amazing

 sounding Zildjian and Sabian cymbals, and a lot of my favorite artists play Zildjian

 and Sabian, so I don't inherently have a problem with either of their sonic signatures or the

 companies themselves, they just haven't really meshed with what I'm looking for.

 And I feel like recently both companies, I guess in the past few years, have come out

 with lines that sound maybe not more vinyl-ish to my ears, but they just seem to de-emphasize

 the things that I haven't liked about their cymbals in the past, and what I'm talking

 about is like AA's and even HH's and Zildjian A's, and to a lesser extent A Customs, have

 all sounded sort of harsh in the mid-range or in the upper mids, and what I like a lot

 about these HHX complexes is that they seem to not be harsh at all, they really de-emphasize

 that mid-range that just comes across as abrasive to my ears, and they're still very dark with

 a really smooth top end, and what surprised me was that because they're called complex,

 usually complex or anything that's described as like esoteric or anything like that, usually

 means that it's going to end up sounding trashy, whether that's for better or for worse is

 These are not at all that, these are very smooth sounding, very like traditional sounding,

 but without all that harsh mid-range and with a really, really smooth top end, that's what

 And they really do sound like do-anything cymbals, like you could pretty much tackle

 any genre with these, whereas the cymbals that I typically use are maybe a little less

 flexible, I go for maybe more particular sounds, but what I decided to do today is take my

 I guess most normal sounding setup of Minols, which is still a little bit weird.

 On the Sabian side, I've got the 15 inch hats, the 18 and 19 inch thin crashes, and then

 the 22 inch medium ride, and then for my Minols, I have my hi-hats are a 16 inch traditional

 medium thin crash over a 16 inch extra dry thin crash, so a little bit of a weird combo

 A 19 inch Bizant's traditional crash, a 20 inch Bizant's brilliant medium crash, and

 So definitely not an apples to apples comparison, some of the sizes are different, but like

 I said, it's my most normal sounding setup, and those are all cymbals that I have really

 carefully hand selected and just sound perfect to my ears, but again, it's my personal taste.

 So let's go back to back and I'm just going to kind of loosely mess around with both different

 sets and I'm curious to know what you hear.

 I'll check in at the end of the demo, but yeah, let's listen to them.

 Alright, so you've heard both of them and I wouldn't be surprised if more people preferred

 the Sabians just because they are a more traditional sound.

 Now to my ears I still definitely prefer the sound on the whole of the Minals, which makes

 sense because I've been using them for years and I handpicked every single one, but I mean

 these Sabians would work unbelievably well I feel like for almost any session or any

 So let me know what you heard, maybe you preferred mine, that would be flattering, maybe you

 preferred these, that's fine, I don't take offense, but yeah I thought this would be

 kind of a fun experiment and I'd also be curious to know what are your favorite cymbals from

 your least favorite company, like maybe Minal is the company that you like the least in

 terms of cymbal sound, what's your favorite Minal Byzance line or what's Zildjian or Istanbul

 So let me know, I'd be curious to hear, thank you for watching and I will see you in the

For anyone who has a crash ride or has played one, which one(s) was it, and would you recommend it? I'd like a crash/ride rather than just a ride.

<div class="md"><p>For anyone who has a crash ride or has played one, which one(s) was it, and would you recommend it? I&#39;d like a crash/ride rather than just a ride.</p>
</div>

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