Moog Matriarch vs Moog Subsequent 37

It’s only monophonic. Paraphony isn’t that useful if you want true polyphony. But the quality and immediacy of the tone is incredible, the patching possibilities allow you to get outrageously zany, and the dual bucket delay is to die for. Four oscillators which can be synced can give you the thickest leads and basses you could hope for, and that muddy delay brings a vintage tone that sends you plunging back through time into the vortex

So you can get some really fat and aggressive tones out of it. Next. Most importantly, we've got the filter section with the classic mode ladder filte...

Hi, this is matriarch from mogh, it's para phonic and i know that needs explaining we'll get to that and it has stereo filters, stereo delays and a st...

The Subharmonicon is similar in size to the Mother 32 and DFAM semi modular synths and they are good as standalone monophonic synths (each with special characteristics and character) but are great if you pair up all 3 modules and patch the audio and modulation paths across all 3 synth modules or pair them with a standalone semi modular synthesizer and keyboard like the Moog Grandmother and the Moog Matriarch.. they are all Euro Rack compatible and are perhaps a easier entry to the Euro rack world for those new to subtractive analog synthesizers .

If you're more into traditional rock or metal and want to quickly prototype a changing sixteen-bar bassline to play over with a guitar, patch Seq 1 into VCO1 for pitch, assign Rhythm 1 to Sequencer 1 (via the button), and crank Rhythm 1 hard left (slowest). Then crank Rythm 2 hard right (fastest) and assign that to Sequencer 2. Control tempo to taste. Sequencer 1 will now drive an arpeggiated chord progression to Sequencer 2 for sixteen looping bars

If you're more into traditional rock or metal and want to quickly prototype a changing sixteen-bar bassline to play over with a guitar, patch Seq 1 into VCO1 for pitch, assign Rhythm 1 to Sequencer 1 (via the button), and crank Rhythm 1 hard left (slowest). Then crank Rythm 2 hard right (fastest) and assign that to Sequencer 2. Control tempo to taste. Sequencer 1 will now drive an arpeggiated chord progression to Sequencer 2 for sixteen looping bars

The Sub Phatty is simply the best synth you can buy at the $1000 and below price range. Not that this is 1978 and there is a lot of competition in analog monosynths, still this is a great addition. Reminds me of a Korg MS-20, but with Moog sound. There are presets, but it's a great synth for learning, if you don't know you VCF from your VCO

The Sub Phatty is simply the best synth you can buy at the $1000 and below price range. Not that this is 1978 and there is a lot of competition in analog monosynths, still this is a great addition. Reminds me of a Korg MS-20, but with Moog sound. There are presets, but it's a great synth for learning, if you don't know you VCF from your VCO